Well I am having a month of rejections!! I applied for an article in Quilting Arts Magazine and was rejected earlier in June. My piece for the "I'm Not Crazy" for SAQA was not selected. They had 128 entries and only chose 20. I'm very bummed about this one because this subject is very personal to me and I put alot of emotion into that piece. Then I entered the Quilting Arts Magazine's Reader Challenge on Signature Color and there were over 150 entries and only 15 were chosen. I had a blast on this little 8" x 8" project including the beading around the binding. This will be a cute addition to my studio and it makes me smile. I'm just a bit unsure if I want to participate in these things for a while. It seems abstract art is trendy at the moment and representational art is on the back burner. I still love to made art and will continue.
14 Ağustos 2012 Salı
Quilting Arts Magazine's Reader Challenge Reject!!
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Well I am having a month of rejections!! I applied for an article in Quilting Arts Magazine and was rejected earlier in June. My piece for the "I'm Not Crazy" for SAQA was not selected. They had 128 entries and only chose 20. I'm very bummed about this one because this subject is very personal to me and I put alot of emotion into that piece. Then I entered the Quilting Arts Magazine's Reader Challenge on Signature Color and there were over 150 entries and only 15 were chosen. I had a blast on this little 8" x 8" project including the beading around the binding. This will be a cute addition to my studio and it makes me smile. I'm just a bit unsure if I want to participate in these things for a while. It seems abstract art is trendy at the moment and representational art is on the back burner. I still love to made art and will continue.
Well I am having a month of rejections!! I applied for an article in Quilting Arts Magazine and was rejected earlier in June. My piece for the "I'm Not Crazy" for SAQA was not selected. They had 128 entries and only chose 20. I'm very bummed about this one because this subject is very personal to me and I put alot of emotion into that piece. Then I entered the Quilting Arts Magazine's Reader Challenge on Signature Color and there were over 150 entries and only 15 were chosen. I had a blast on this little 8" x 8" project including the beading around the binding. This will be a cute addition to my studio and it makes me smile. I'm just a bit unsure if I want to participate in these things for a while. It seems abstract art is trendy at the moment and representational art is on the back burner. I still love to made art and will continue.
Fabric Postcard Becomes a Birthday Card
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I have not been in my studio much because it is summer and my garden is calling me and I am doing an art fair in my hometown on July 29th and prepping for that. But at my July quilt guild meeting a member asked if I would make two of my fabric postcards for her friend (and my neighbor) who will be 95 yrs. old in August. Now that's a landmark!!This woman is a petite little spitfire-always happy, an art appreciator and she wears her white hair in a bob with the trademark black headband!! She has suppored the local art community and I enoy visiting with her when I see her. My quilt guild friend wanted 1 card for the birthday girl and one to keep for herself.
I designed this pattern in '08 when I signed up for a fabric postcard swap and drew up a bob cut with a headband to make this postcard. I finished the fusing and realized the two images were slightly different-one was more centered and they have different foreheads-kind of like family members with similar DNA but different. I do not like one better that the other. I added a bit of fabric paint, fabric makers and silver/irredescent nail polish in the hair to enhance the image. They were fun to do but not enough to make vast amount for an art show!!
My studio is in dire need of cleaning and organization because I can not find my color wheel!! Later...
I have not been in my studio much because it is summer and my garden is calling me and I am doing an art fair in my hometown on July 29th and prepping for that. But at my July quilt guild meeting a member asked if I would make two of my fabric postcards for her friend (and my neighbor) who will be 95 yrs. old in August. Now that's a landmark!!This woman is a petite little spitfire-always happy, an art appreciator and she wears her white hair in a bob with the trademark black headband!! She has suppored the local art community and I enoy visiting with her when I see her. My quilt guild friend wanted 1 card for the birthday girl and one to keep for herself.I designed this pattern in '08 when I signed up for a fabric postcard swap and drew up a bob cut with a headband to make this postcard. I finished the fusing and realized the two images were slightly different-one was more centered and they have different foreheads-kind of like family members with similar DNA but different. I do not like one better that the other. I added a bit of fabric paint, fabric makers and silver/irredescent nail polish in the hair to enhance the image. They were fun to do but not enough to make vast amount for an art show!!
My studio is in dire need of cleaning and organization because I can not find my color wheel!! Later...
Swoon Color Wheel
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Many of you may be aware of a new 24" quilt block named Swoon by Camille Roskelley. Her business name is Thimble Blossoms and she has a fabric line from Moda Fabrics called Vintage Modern-both the fabric line and the Swoon pattern is very popular locally at the quilt store I work at and my local quilt group. I discovered Camille's blog and she had made a scrappy Swoon bvlock which gave me the idea to use the color wheel colors in a scrappy Swoon because if sounded fun and I have some color theory teaching and thought it would be a good visual tool. It is an easy block-squares, flying geese and half square triangles (no Thangles just a line drawn diagonally through squares, sew and cut apart.) I did a minimal of stitch-in-the-ditch quilting and some radiating lines in the dark background. It killed me but no embellishments were added to keep it simple. Fun and easy!!
So then I decided to make the same quilt block using "tints" of each color. I used the same color placement just tinted the color. I learned that I rarely use peach (light orange) because there was little of it in my stash. I used grey in the background since black with white added is gray. I quilted the piece with all curved and round lines. Not a grey fan but it is a teaching tool.
After the tint block I made a "shade" block in which all the colors have black added to them to darker them. I found out I had no burgandy in my stash and had to purchase some for this quilt. I think it represents a primitive/country/old fashioned look in quilts which is not my thing. But the finished quilt is nice even though one wouldn't use all dark colors in a quilt because there would be no contrast and the design lines and motifs would not show up much. I quilted this quilt in a combination of curved and straight lines and prefer oodles of quilting and like this quilt the best because of it. I hope it is useful to me when I teach color theory. I love embellishments and my rhinestone supply is calling me out "glue me on to those new quilts!!"
These three quilts showed me my strong and weak colors in my stash. Am I going to run out and buy a bunch of peach and burgandy?-no but it is fun to see where one unconsciousely buys favorite colors and discards others.
Yes these quilts are not artsy but functional. Sometimes that's okay. I am starting a crazy zentangled inspired art quilt at the moment and having so much fun using black and white fabrics from a block exchange from my quilt group.
Many of you may be aware of a new 24" quilt block named Swoon by Camille Roskelley. Her business name is Thimble Blossoms and she has a fabric line from Moda Fabrics called Vintage Modern-both the fabric line and the Swoon pattern is very popular locally at the quilt store I work at and my local quilt group. I discovered Camille's blog and she had made a scrappy Swoon bvlock which gave me the idea to use the color wheel colors in a scrappy Swoon because if sounded fun and I have some color theory teaching and thought it would be a good visual tool. It is an easy block-squares, flying geese and half square triangles (no Thangles just a line drawn diagonally through squares, sew and cut apart.) I did a minimal of stitch-in-the-ditch quilting and some radiating lines in the dark background. It killed me but no embellishments were added to keep it simple. Fun and easy!!So then I decided to make the same quilt block using "tints" of each color. I used the same color placement just tinted the color. I learned that I rarely use peach (light orange) because there was little of it in my stash. I used grey in the background since black with white added is gray. I quilted the piece with all curved and round lines. Not a grey fan but it is a teaching tool.After the tint block I made a "shade" block in which all the colors have black added to them to darker them. I found out I had no burgandy in my stash and had to purchase some for this quilt. I think it represents a primitive/country/old fashioned look in quilts which is not my thing. But the finished quilt is nice even though one wouldn't use all dark colors in a quilt because there would be no contrast and the design lines and motifs would not show up much. I quilted this quilt in a combination of curved and straight lines and prefer oodles of quilting and like this quilt the best because of it. I hope it is useful to me when I teach color theory. I love embellishments and my rhinestone supply is calling me out "glue me on to those new quilts!!"These three quilts showed me my strong and weak colors in my stash. Am I going to run out and buy a bunch of peach and burgandy?-no but it is fun to see where one unconsciousely buys favorite colors and discards others.
Yes these quilts are not artsy but functional. Sometimes that's okay. I am starting a crazy zentangled inspired art quilt at the moment and having so much fun using black and white fabrics from a block exchange from my quilt group.
2012 Hoffman Challenge Entry Award Winner!!
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I entered the 2012 Hoffman Challenge for the third year and I received an e-mail yesterday from the curator letting me know my quilt called "1940s USO" was awarded the Best Incorporation of the Challenge Fabric for the Mixed Quilt Category. Oh Happy Day!! I made this last November and could not post it until now! This was such a fun project. I saw the large purple floral (challenge fabric) as 1940s curtain fabric and I am obsessed with 40s/vintage hairstyles and that's how it began. I used my "Black Bob" pattern and after researching 40s style make-up and eyebrow shapes I changed the eye shape, brows and hair to fit the decade. I was a paper doll junkie as a child and my daughter (who is also obsessed with the 40s) gave me a big girl paper doll book of 1940s fashions which inspired the hat and jacket with the big shoulders. I made vintage earrings with beads, trapuntoed a fussy cut flower on the hat and ruched some variegated ribbon through it, added flower shaped sequins and beads in the hat, added a bit of purple with pink tulle to the hat like a fascinator and a few rhinestones aroulnd the borders. I added a mini flange near the binding which I had never done before. Most of the other fabrics are from Pine Street Quilts in Marintte WI where I work on Tuesdays. I prequilted the Convergence background before I fused the applique on and then quilted the applique over the other quilting. My daughter named the quilt when I saw her at Thanksgiving and I stared at it in my studio until I mailed it in June. I am happy it will travel for the next year and lots of people get to see it. Soon the 2013 fabric will be exposed and I can try the challenge all over again!!
I entered the 2012 Hoffman Challenge for the third year and I received an e-mail yesterday from the curator letting me know my quilt called "1940s USO" was awarded the Best Incorporation of the Challenge Fabric for the Mixed Quilt Category. Oh Happy Day!! I made this last November and could not post it until now! This was such a fun project. I saw the large purple floral (challenge fabric) as 1940s curtain fabric and I am obsessed with 40s/vintage hairstyles and that's how it began. I used my "Black Bob" pattern and after researching 40s style make-up and eyebrow shapes I changed the eye shape, brows and hair to fit the decade. I was a paper doll junkie as a child and my daughter (who is also obsessed with the 40s) gave me a big girl paper doll book of 1940s fashions which inspired the hat and jacket with the big shoulders. I made vintage earrings with beads, trapuntoed a fussy cut flower on the hat and ruched some variegated ribbon through it, added flower shaped sequins and beads in the hat, added a bit of purple with pink tulle to the hat like a fascinator and a few rhinestones aroulnd the borders. I added a mini flange near the binding which I had never done before. Most of the other fabrics are from Pine Street Quilts in Marintte WI where I work on Tuesdays. I prequilted the Convergence background before I fused the applique on and then quilted the applique over the other quilting. My daughter named the quilt when I saw her at Thanksgiving and I stared at it in my studio until I mailed it in June. I am happy it will travel for the next year and lots of people get to see it. Soon the 2013 fabric will be exposed and I can try the challenge all over again!!
UW Platteville Sewing and Quilting Expo
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I had the blessing of teaching at the UW Platteville Sewing and Quilting Expo on August 3-4 on the university campus. I taught "Color is Our Friend," "Elements and Principles of Design for Quilter" and "Embellishing 101." The organizer of the expo is Tisha Sandberg (she is the woman on the left on the second photo) and she is beyond fun, artsy and pulled off a great expo while having the responsiblities placed on her half way through the process. I selected two quilts that I could spare from my teaching demos and picked my "Woman With Red Lipstick" quilt and was thrilled to see it on the gallery poster!! 
This photo is Tisha and the woman who painted quilt blocks on wood. There was a gallery reception on Thursday evening August 2nd and I was able to meet the artists/presenters at the expo. It was a very nice time and beautiful quilts!
This was my other quilt in the exhibit called "Hera and Aphrodite"I was able to visit the local quilt shop called Hidden Quilts and they have shop colors-lime green and orange which pleased me since color is my thing and lime green is one of my favs!! The owner had a very unusal coiffed hairstyle which was eyecatching and unique. She knew to carve a niche and customers will remember you!
I had the blessing of teaching at the UW Platteville Sewing and Quilting Expo on August 3-4 on the university campus. I taught "Color is Our Friend," "Elements and Principles of Design for Quilter" and "Embellishing 101." The organizer of the expo is Tisha Sandberg (she is the woman on the left on the second photo) and she is beyond fun, artsy and pulled off a great expo while having the responsiblities placed on her half way through the process. I selected two quilts that I could spare from my teaching demos and picked my "Woman With Red Lipstick" quilt and was thrilled to see it on the gallery poster!! This photo is Tisha and the woman who painted quilt blocks on wood. There was a gallery reception on Thursday evening August 2nd and I was able to meet the artists/presenters at the expo. It was a very nice time and beautiful quilts!This was my other quilt in the exhibit called "Hera and Aphrodite"I was able to visit the local quilt shop called Hidden Quilts and they have shop colors-lime green and orange which pleased me since color is my thing and lime green is one of my favs!! The owner had a very unusal coiffed hairstyle which was eyecatching and unique. She knew to carve a niche and customers will remember you!
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